He immediately enlists the help of his old roommate, a powerful lawyer who wants to diffuse the situation as quickly and painlessly as possible, without ever providing Ryota with any emotional or paternal comfort. For most of the movie, Ryota tries to fix his problems with his power, status and wealth. Perhaps Koreeda sees a lot of himself in Ryota the story is supposedly set around recent real-life events, although, the specifications of these factual events are never brought into the spotlight. Koreeda seems fascinated by the idea of such a powerful and determined man grappling with such a rare, indescribable situation where no obvious victory is clear. Ryota is the main focus of Koreeda’s scrutinizing observation while his wife Midori is left at the wayside. They then contemplate how they could fail to notice different physical features between father and son, suffering the cruelty of those who did notice. At first, the Nonomiyas struggle with the reality of raising a son that is not their own. Koreeda takes you through the different struggles of accepting the truth.
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Although the film is set with the anticipation that the lives of both sets of parents would be showcased, Like Father, Like Son sets its sights on the Nonomiya family, focusing on Ryota a professional who is driving his family up the class ladder in a socially driven Japan. Devastated and determined to come up with a plan to ‘exchange’ the boys swiftly and without much emotional damage, the families agree to start switching the boys on weekends, gradually acclimatizing them to each of their new home environments. Ryota shelves his instinct to find out who and what is behind this mistake, and meets with the Saiki’s (Rirî Furankî and Yôko Makiwho), the people who have been raising Ryusei Saiki (Shôgen Hwang), Ryota’s son by blood. After extensive tests, Ryota and his wife learn that their son Keita was switched with another boy at birth. Ryota despises messy situations, so when he returns home to news of a phone call from the local hospital where their son was born, his only request is that developments won’t be messy. He is irreplaceable professionally, but his marital life is in turmoil and he suffers failing relationships with his wife Midori (Machiko Ono) and son Keita (Keita Nonomiya). He humbly avoids the spotlight, instead allowing his incomparable work ethic and determination to take the spotlight. Ryota Nonomiya (Masaharu Fukuyama) is a determined Japanese business executive.
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Winner of the Jury Prize at Cannes in 2013, Koreeda’s newest feature is sure to stir a pot full of mixed emotions. ‘Can you really love a child without your blood’? What would you be willing to do for a child you barely know and never helped raise? This question haunts parents everywhere and is the main focus of Hirokazu Koreeda’s newest film Like Father, Like Son a gut-wrenching family drama set on ‘Can you really love a child without your blood’? What would you be willing to do for a child you barely know and never helped raise? This question haunts parents everywhere and is the main focus of Hirokazu Koreeda’s newest film Like Father, Like Son a gut-wrenching family drama set on the basis of mixed identities, unwanted truths and the indefinite definition of happiness. The different approaches of both couples to their excruciating dilemma and the gradual emotional awakening of the all-too-rational Ryota are at the core of this sensitive drama of family feeling, which showcases Kore-eda’s rich sense of humanity.
Due to a mistake made by a negligent nurse, his "true" son has been raised in the dishevelled but warm-hearted home of working-class shopkeeper Yudai (Lily Franky) and his wife (Yôko Maki). The life of go-getting workaholic architect Ryota (Masaharu Fukuyama)-one of comfort and quietly ordered affluence with his wife Midori (Ono Machiko) and son Keita (Keita Ninomiya)-is violently overturned when hospital administrators reveal the unthinkable: Keita is not his biological son. Nurture debate provide Hirokazu Kore-eda with a fresh opportunity to revisit his ongoing preoccupation with family dynamics and parent-child relationships in contemporary Japan. The life of go-getting workaholic architect Ryota (Masaharu Fukuyama)-one of comfort and quietly ordered The "switched at birth" urban legend and the Nature vs. Summary: The "switched at birth" urban legend and the Nature vs.
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